Eliot’s “The Waste Land”, Post-Identity, Hybridization and Black Lives Matter, Cultural Roots and Cross-Pollination: The Influence Anthologies have in Perpetuating American Schools of Poetry, Working Title — Black Lives Matter: The Extension of Political Poetry in the Black Arts Movement and the Harlem Renaissance Revealing American Resistance to the Diversity of Black Lives, The Moving “I”: Post-Identity in Asian American Poetry. In Inferno, the quoted lines are spoken by the character Guido da Montefeltro, a fraudulent politician condemned to hell. Browse Library, Teacher Memberships contact Dr. Vander ZeeOffice Hours: m/w 9-11 and by apt. Dante: Eliot was a lifelong reader and lover of the work of Dante Alighieri. The most weighty line appears when the speaker asks, “Do I dare / Disturb the universe?” (45-46). He continues these feelings through a comparison of himself to a bottom-feeder in the ocean: “I should have been a pair of ragged claws / Scuttling across the floors of silent seas” (73-74). Another aspect of the poem that points to a general anxiety and indecisiveness is the repetition of “there will be time.” This phrase is repeated often, as if the speaker is trying to convince himself and justify his inaction. Eliot opens “Prufrock” with an epigraph drawn from the 27th canto of Dante’s Inferno. See in text (The Love Song of J. Alfred Prufrock), Eliot alludes to John the Baptist, a Biblical proponent of chastity who was supposedly beheaded at the request of King Herod’s wife, who displayed his head on a platter. As he observes, “No! That these women are discussing Michelangelo suggests that the speaker has left the red-light district. Prince Hamlet is the titular character of Shakespeare's famous play. | The Love Song of J. Alfred Prufrock Launch Audio in a New Window. The character desires for meaning, for intimacy, and is unable to proceed, thus mirroring Eliot’s perspectives on his society. Guido agrees to tell his shameful story to Dante because he believes that Dante will never escape hell to spread word of it. In the context of the poem, this allusion suggests that Prufrock either thinks or once thought of himself as a dead man, but that his love interest changes that. As the poem unfolds, it seems viable that Prufrock’s big, burning question is similar to Hamlet’s: “To be or not to be? The speaker’s anxieties and the poem’s attachment to modernity is present throughout the text. The speaker’s anxieties and the poem’s attachment to modernity is present throughout the text. See in text (The Love Song of J. Alfred Prufrock). Another way to prevent getting this page in the future is to use Privacy Pass. Join for Free See in text (The Love Song of J. Alfred Prufrock) Notice how Eliot uses repetition in the poem to emphasize Prufrock's intellect. He wanders through the poem much as he does the dirty streets of the red-light district, bringing in images and allusions that aren't organic to the setting but are organic to his experience of it.

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