There follows the most incredible run of luck, in which he wins millions. Now, the stage seems set for a daring, winner-take-all final robbery; however, greed, blackmail, and death get in the way. Canby, Vincent, “Bob le flambeur (review),” New York Times (September 26, 1981), Denby, David, “Promise at Dawn,” The New Yorker (July 19, 1982), Harvey, Stephen, “Bob the Gambler,” MoMA Program Notes (November 20, 1982). Paid in cash for this valuable information, he uses some of it to buy jewellery for his avaricious wife. Both are, as Melville puts it, “love letters to a Paris that no longer exists.” They offer up the contradictions possible only in a world not yet aware of its passing. Bob le flambeur opens with day breaking at Sacre-Coeur, then follows the tram down the steep slope of Montmartre to Pigalle, snuffing its lights and shuttering its doors in anticipation of the day: “from heaven to hell.” It’s reminiscent of Franju’s opening to Le Sang des bêtes (Blood of the Beasts), where young lovers embracing at the flea market yield to an abattoir. For the novel by Frederick Barthelme, see, Please expand the article to include this information. Bob, an old gangster and gambler is almost broke, so he decides in spite of the warnings of a friend, a high official from the police, to rob a gambling casino in Deauville. It looks like we don't have a Synopsis for this title yet. The classic on this week’s Everyone’s a Critic Movie Review Podcast is, arguably, the very first film of the French New Wave, Bob Le Flambeur, translated as Bob the Gambler.Bob Le Flambeur is a classic American style heist film seen through the lens of a French admirer of American movies, Jean Pierre Melville. Plot Keywords Schiff, Stephen, “Bob le flambeur (review),” Boston Phoenix (September 28, 1982). We are thankful for their contributions and encourage you to make your own. But he's on a losing streak, and even when he hits it big at the track, he loses at the Deauville casino. He is well liked by the demi-monde community there, but has hit a run of bad luck and is nearly broke. Brian L. Frye is a filmmaker, journalist and lawyer living in Fairbanks, Alaska. Still, as his money dwindles, even Bob knows disaster is imminent. And if the film collapses in tragedy around him anyway, it’s all to be expected. | So he just accepts it with a smile and a quip, and no regrets or second thoughts. These notes were contributed by members of the GradeSaver community. If you are an Australian resident, any donations over $2 are tax deductible. Kaufmann, Stanley, “Paris, Two Views,” New Republic ? Ledru, the police inspector who does this, owes an unrepayable debt of gratitude to Bob, who once saved his life. With an old accomplice and his young sidekick, Bob plans to rob the Deauville Casino during the Grand Prix, when its safe will be full to bursting. Further details may exist on the, Learn how and when to remove these template messages, Learn how and when to remove this template message, https://en.wikipedia.org/w/index.php?title=Bob_le_flambeur&oldid=981944495, Articles needing additional references from March 2015, All articles needing additional references, Articles with multiple maintenance issues, Creative Commons Attribution-ShareAlike License, This page was last edited on 5 October 2020, at 09:15. Bob, an old gangster and gambler is almost broke, so he decides in spite of the warnings of a friend, a high official from the police, to rob a gambling casino in Deauville. It is often considered a film noir and precursor to the French New Wave because of its use of handheld camera and a single jump cut. The Gambler Summary by Fyodor Dostoevsky. True, the “code of honor, of loyalty, and of courage” by which they live is deployed to no end; they remain honorable, loyal and courageous. While not of the New Wave, Melville made it possible. Ledru finds it hard to believe, as he thinks Bob is truly reformed, and after checking with the casino mounts a fruitless search for Bob, who is already on his way to Deauville. When Anne confesses what she has done, Paolo shoots Marc dead before he can get to Ledru. The film’s English title, “Bob the Gambler,” unfortunately flattens the sense of flambeur, which means something closer to “high roller” or “big shot.” And it’s plain that Bob is far more concerned about appearances than reality. His crooks and fences live in a fantasy world of their own making, a world they take care not to examine too closely, lest it dissolve. Melville’s interest in the robbery itself is every bit as perfunctory as Bob’s. Everything is planned exactly, but the police is informed about the planned coup. Godard noted that movie gangsters have to get caught, but Melville already knew why. The film stars Roger Duchesne as Bob. Nattily dressed in a light suit and trench-coat, a fedora covering his silver hair and shading his lined eyes, all night Bob haunts the back-room games and cruises the streets of Pigalle in his gigantic Cadillac. [4], Vincent Canby, writing for The New York Times in 1981, noted "Melville's affection for American gangster movies may have never been as engagingly and wittily demonstrated as in Bob le Flambeur, which was only the director's fourth film, made before he had access to the bigger budgets and the bigger stars (Jean-Paul Belmondo, Alain Delon) of his later pictures. Bob lives to be admired, or better yet venerated. Bob le flambeur ("Bob the Gambler" or "Bob the High Roller") is a 1956 French gangster film directed by Jean-Pierre Melville. Bob, a former bank robber and convict who has gone straight for 20 years, lives on his own as a gambler in the Montmartre district of Paris. [2], Bob le flambeur was released in Paris on 24 April 1956.

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