One of the angels, played by Bruno Ganz, falls in love with a beautiful, lonely trapeze artist, played by Solveig Dommartin. [58] Authors Martin Brady and Joanne Leal remarked the storytelling shies away from an entirely narrative format, and the film's writing style is embodied in the Homer character as "the angel of story-telling". [115], A stage adaptation of Wings of Desire was created by the Northern Stage theatre company in Newcastle upon Tyne, U.K. in 2003. [35] Scholars Robert Phillip Kolker and Peter Beickene attributed the apparent lack of God to New Age beliefs, remarking Damiel's "fall" is similar to the story of Lucifer, though not related to evil. [100], The film competed for the Palme d'Or and won for Best Director at the 1987 Cannes Film Festival. [41], The closing titles state: "Dedicated to all the former angels, but especially to Yasujiro, François and Andrej" (all references to Wenders' fellow filmmakers Yasujirō Ozu, François Truffaut, and Andrei Tarkovsky). 's music video for "Everybody Hurts" also takes cues from the film. She lives by herself in a caravan in West Berlin, until she receives the news that her group, the Circus Alekan, will be closing down. [12] There was five hours of footage to edit down to the final cut. Handke thus proposed adding his writings via voice-over. [5] Wenders did not view the angel protagonist as representative of himself, instead deciding the angel could be an embodiment of film, and that the purpose of film could be to help people by opening their eyes to possibilities. Falk was once an angel, who, having grown tired of always observing and never experiencing, renounced his immortality to become a participant in the world. [64] Der Himmel über Berlin subsequently opened in West Germany late in October 1987. [61] Observing the angels' trench-coat fashion, sociologist Andrew Greeley wrote it fit the "wet, blustery, cold northern Germany" setting. [62] Looking at the coats and ponytails, Dr. Detweiler found the visualization of the angels "so cool and stylish". [52], Researcher Helen Stoddart, in discussing the depiction of the circus and trapeze artist Marion in particular, submitted that Marion is the classic circus character, creating an image of danger and then potential. [76] In New York, David Denby hailed it as "extraordinary", and possibly "the ultimate German movie". [91] Les Inrockuptibles's 2014 review declared it a great film, timeless, and poetic. Then you’ve left a mark. The next day, Damiel considers how his time with Marion taught him to feel amazed, and how he has gained knowledge no angel is capable of achieving. 『ベルリン・天使の詩』(独: Der Himmel über Berlin, 英: Wings of Desire, 仏: Les Ailes du désir)は、1987年公開のフランス、西ドイツ合作映画。ファンタジー、ラブストーリー、ヒューマンドラマ、アート系映画。ヴィム・ヴェンダース監督。 [79] The Washington Post's Rita Kempley credited Wenders and Handke for crafting a "whimsical realm of myth and philosophical pretense, dense with imagery and sweetened by Ganz's performance". [53] Stoddart considered the circular nature of the story, including a parallel between the angel who cannot see the physical (Damiel), and the faux angel (Marion) who can "see the faces". [32] The shift from monochrome to colour, to distinguish the angels' reality from that of the mortals, was also used in Powell and Pressburger's film. Musicologist Annette Davison argued Knieper's score in angel scenes is artistic, with elements of Eastern European and Orthodox Christian music, and Petitgand's music displays a "slippery" harmony frequently heard in circus entertainment. [59] Psychologist Ryan Niemiec wrote that, by focusing on "the beauty of each moment", Wings of Desire conveys "awe and wonder". [26] The hairstyle was loosely inspired by a photograph of a Japanese warrior. Their raison d'être is, as Cassiel says, to "assemble, testify, preserve" reality. [49] Scholar Alexander Graf considered how these voice-overs and verbal exchanges are frequently combined with background radio and television sounds, and concluded the "image and soundtrack" that comprise the style convey a point of "blindness": "men and women are plagued by their everyday problems; children are, like the angels, in their own dreamy world". [33] While Wings of Desire does not portray Berliners as living in a utopia, academic Roger Cook wrote that the fact that people have pleasure "gives, as the English title suggests, wings to desire".

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